Showing posts with label WWP. Show all posts
Showing posts with label WWP. Show all posts

Monday, August 24, 2015

Sirens Submission Call








“SIRENS”
EDITED BY RHONDA PARRISH
OPEN TO SUBMISSIONS

Alpena, MI (August 18, 2015) – World Weaver Press (Eileen Wiedbrauk, Editor-in-Chief) has announced the anthology Sirensvolume four of Rhonda Parrish’s Magical Menageries is open to submissions throughNovember 15, 2015.

Praise for Rhonda Parrish’s Magical Menageries:

“Rhonda Parrish has assembled a stellar collection that runs the gamut of Urban Fantasy to Weird Fiction. Easily the most consistently satisfying anthology I've read in years.”
— K.L. Young, Executive Editor, Strange Aeons Magazine

“With fifteen talented writers and a theme subject that is both evocative and memorable, Rhonda Parrish’s new anthology Scarecrow, is no straw man. Like any good scarecrow, this anthology is truly outstanding in its field. Don’t be scared to pick this up and give it a read.”
— Steve Vernon, author of Tatterdemon
Delightfully refreshing! I should have known that editor Parrish (who also edits the cutting edge horror zine, Niteblade) would want to offer something quite unique. I found it difficult to stop reading as one story ended and another began – all fantastic work by gifted writers. Not for the faint of heart, by any means.”
— Marge Simon, multiple Bram Stoker® winner
“What an amazing group of stories!”
— Tangent
“There’s no Disney-esque flutter and glitter to be found here — but there are chills and thrills aplenty.”
— Mike Allen, author of Unseaming and editor of Clockwork Phoenix


Greek mythology describes the Sirens as being charismatic monsters; part bird, part woman, with enchanting voices whose songs either lure men to, or foretell, their deaths. In Roman mythology they play a similar role but shift their domain to the sea and take the form of mermaid-like creatures. Mythological Sirens such as these come with a capital ess; there are only a small number of them, they have names, Godly parents and occupations. Those Sirens are welcome within the pages of this anthology, but so are their lower-case sisters.

In Sirens, we will honor and share stories of historical Sirens, but we’ve equal room for modern re-imaginings and will be giving matching space to both avian and aquatic varieties.
Whether from the sea or sky, sirens are beautiful, dangerous and musical, and we’re open to works that exemplify as well as those which defy those expectations. Sirens will be a book full of tales that evoke a vast spectrum of emotions toward these maidens, empathy, disdain, sorrow, awe and anger. I want stories of wretched and cursed sirens who fight against the roles imposed upon them and tales of those who revel in them. I’m hoping for pieces re-telling or playing upon the traditional myths and others which create their own mythologies, and all the little niches in between.

For full submission guidelines and details, visithttp://www.worldweaverpress.com/submit-anthologies.html

Rhonda Parrish is a master procrastinator and nap connoisseur but despite that she somehow manages a full professional life. She has been the publisher and editor-in-chief of Niteblade Magazine for over five years now (which is like 25 years in internet time) and is the editor of the benefit anthology Metastasis, as well as the World Weaver Press anthologies FaeScarecrow, and Corvidae. In addition, Rhonda is a writer whose work has been included or is forthcoming in dozens of publications including Tesseracts 17: Speculating Canada from Coast to Coast and Imaginarium: The Best Canadian Speculative Writing. Her website, updated weekly, is at rhondaparrish.com.

World Weaver Press is an independently owned publisher of fantasy, paranormal, and science fiction. We believe in great storytelling.

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Wednesday, August 5, 2015

Scarecrow Anthology


“SCARECROW”
EDITED BY RHONDA PARRISH

Alpena, MI (August 4, 2015) – World Weaver Press (Eileen Wiedbrauk, Editor-in-Chief) has announced the anthology Scarecrow, volume three of Rhonda Parrish’s Magical Menageries, is available in trade paperback and ebook today, Tuesday, August 4.

Praise for Scarecrow and Rhonda Parrish’s Magical Menageries:

“Rhonda Parrish has assembled a stellar collection that runs the gamut of Urban Fantasy to Weird Fiction. Easily the most consistently satisfying anthology I've read in years.”
— K.L. Young, Executive Editor, Strange Aeons Magazine

“With fifteen talented writers and a theme subject that is both evocative and memorable, Rhonda Parrish’s new anthology Scarecrow, is no straw man. Like any good scarecrow, this anthology is truly outstanding in its field. Don’t be scared to pick this up and give it a read.”
— Steve Vernon, author of Tatterdemon

Delightfully refreshing! I should have known that editor Parrish (who also edits the cutting edge horror zine, Niteblade) would want to offer something quite unique. I found it difficult to stop reading as one story ended and another began – all fantastic work by gifted writers. Not for the faint of heart, by any means.”
— Marge Simon, multiple Bram Stoker® winner
“What an amazing group of stories!”
— Tangent
“There’s no Disney-esque flutter and glitter to be found here — but there are chills and thrills aplenty.”
— Mike Allen, author of Unseaming and editor ofClockwork Phoenix
Hay-men, mommets, tattie bogles, kakashi, tao-tao—whether formed of straw or other materials, the tradition of scarecrows is pervasive in farming cultures around the world. The scarecrow serves as decoy, proxy, and effigy—human but not human. We create them in our image and ask them to protect our crops and by extension our very survival, but we refrain from giving them the things a creation might crave—souls, brains, free-will, love. In Scarecrow, fifteen authors of speculative fiction explore what such creatures might do to gain the things they need or, more dangerously, think they want.
Within these pages, ancient enemies join together to destroy a mad mommet, a scarecrow who is a crow protects solar fields and stores long-lost family secrets, a woman falls in love with a scarecrow, and another becomes one. Encounter scarecrows made of straw, imagination, memory, and robotics while being spirited to Oz, mythological Japan, other planets, and a neighbor’s back garden. After experiencing this book, you’ll never look at a hay-man the same.
Featuring all new work by Jane YolenAndrew Bud AdamsLaura BlackwoodAmanda BlockScott BurtnessVirginia Carraway StarkAmanda C. DavisMegan FennellKim GoldbergKatherine MarzinskyCraig PaySara PulsHolly SchofieldLaura VanArendonk Baugh, and Kristina Wojtaszek.                                                                                                                                                                 
Scarecrow is available in trade paperback and ebook via Amazon.comBarnesandnoble.comKobo.comWorldWeaverPress.com, and other online retailers, and for wholesale through Ingram. You can also find Scarecrow onGoodreads.
Rhonda Parrish is a master procrastinator and nap connoisseur but despite that she somehow manages a full professional life. She has been the publisher and editor-in-chief of Niteblade Magazine for over five years now (which is like 25 years in internet time) and is the editor of the benefit anthology Metastasis, as well as the World Weaver Press anthologies FaeScarecrow, and Corvidae. In addition, Rhonda is a writer whose work has been included or is forthcoming in dozens of publications including Tesseracts 17: Speculating Canada from Coast to Coast and Imaginarium: The Best Canadian Speculative Writing. Her website, updated weekly, is at rhondaparrish.com.

World Weaver Press is an independently owned publisher of fantasy, paranormal, and science fiction. We believe in great storytelling.

Monday, June 29, 2015

Corvidae Cover Reveal


“CORVIDAE” & “SCARECROW”
EDITED BY RHONDA PARRISH

Alpena, MI (April 30, 2015) – World Weaver Press (Eileen Wiedbrauk, Editor-in-Chief) has announced the anthologies Corvidae and Scarecrow, volumes two and three of Rhonda Parrish’s Magical Menageries, will be available in trade paperback and ebook Tuesday, July 7 and Tuesday, August 4, 2015 respectively.

Praise for FaeRhonda Parrish’s Magical Menageries, Volume 1:

“Seventeen tales... range in feel from horror to upbeat tales about homes where things go right, and are set everywhere from the modern day to mythical fantasy pasts. The best of these stories evoke things from real life – loves and values – and show characters making hard choices that reveal who they are and what they’re made of."
— Tangent

Delightfully refreshing! I should have known that editor Parrish (who also edits the cutting edge horror zine, Niteblade) would want to offer something quite unique. I found it difficult to stop reading as one story ended and another began – all fantastic work by gifted writers. Not for the faint of heart, by any means.”
— Marge Simon, multiple Bram Stoker® winner

“There’s no Disney-esque flutter and glitter to be found here — but there are chills and thrills aplenty.”
— Mike Allen, author of Unseaming and editor of     Clockwork Phoenix

“Stories of magical beings and the humans they encounter will enthrall and enlighten the reader about both the mundane and the otherworldly. I devoured it.”
— Kate Wolford, editor of Beyond the Glass Slipper, editor and publisher of Enchanted Conversation: A Fairy Tale Magazine

Corvidae
Associated with life and death, disease and luck, corvids have long captured mankind’s attention, showing up in mythology as the companions or manifestations of deities, and starring in stories from Aesop to Poe and beyond. In Corvidae birds are born of blood and pain, trickster ravens live up to their names, magpies take human form, blue jays battle evil forces, and choughs become prisoners of war. These stories will take you to the Great War, research facilities, frozen mountaintops, steam-powered worlds, remote forest homes, and deep into fairy tales. One thing is for certain, after reading this anthology, you’ll never look the same way at the corvid outside your window.
Featuring works by Jane YolenMike AllenC.S.E. CooneyM.L.D. CurelasTim DealMegan EngelhardtMegan FennellAdria LaycraftKat OtisMichael S. PackSara PulsMichael M. RaderMark RapaczAngela SlatterLaura VanArendonk Baugh, and Leslie Van Zwol.
Scarecrow
Hay-men, mommets, tattie bogles, kakashi, tao-tao—whether formed of straw or other materials, the tradition of scarecrows is pervasive in farming cultures around the world. The scarecrow serves as decoy, proxy, and effigy—human but not human. We create them in our image and ask them to protect our crops and by extension our very survival, but we refrain from giving them the things a creation might crave—souls, brains, free-will, love. In Scarecrow, fifteen authors of speculative fiction explore what such creatures might do to gain the things they need or, more dangerously, think they want. Within these pages, ancient enemies join together to destroy a mad mommet, a scarecrow who is a crow protects solar fields and stores long-lost family secrets, a woman falls in love with a scarecrow, and another becomes one. Encounter scarecrows made of straw, imagination, memory, and robotics while being spirited to Oz, mythological Japan, other planets, and a neighbor’s back garden. After experiencing this book, you’ll never look at a hay-man the same.
Featuring all new work by Jane YolenAndrew Bud AdamsLaura BlackwoodAmanda BlockScott BurtnessAmanda C. DavisMegan FennellKim GoldbergKatherine MarzinskyCraig PaySara PulsHolly SchofieldVirginia Carraway StarkLaura VanArendonk Baugh, and Kristina Wojtaszek.
Corvidae and Scarecrow will be available in trade paperback and ebook via Amazon.com, Barnesandnoble.com, Kobo.com, WorldWeaverPress.com, and other online retailers, and for wholesale through Ingram. You can also find Corvidae and Scarecrow on Goodreads.

Rhonda Parrish is a master procrastinator and nap connoisseur but despite that she somehow manages a full professional life. She has been the publisher and editor-in-chief of Niteblade Magazine for over five years now (which is like 25 years in internet time) and is the editor of the benefit anthology Metastasis, as well as the World Weaver Press anthologies FaeScarecrow, and Corvidae. In addition, Rhonda is a writer whose work has been included or is forthcoming in dozens of publications including Tesseracts 17: Speculating Canada from Coast to Coast and Imaginarium: The Best Canadian Speculative Writing. Her website, updated weekly, is at rhondaparrish.com.

World Weaver Press is an independently owned publisher of fantasy, paranormal, and science fiction. We believe in great storytelling.

Friday, June 26, 2015

Demons Imps and Incubi Blog Tour



“DEMONS, IMPS, AND INCUBI” ANTHOLOGY NOW AVAILABLE FROM RED MOON ROMANCE Alpena, MI (June 23, 2015)

 – Red Moon Romance (Eileen Wiedbrauk, Editor-in-Chief) has announced Demons, Imps, and Incubi, a romance anthology edited by Laura Harvey, is available in trade paperback and ebook today, Tuesday, June 23, 2015.

 Demons, Imps, Incubi: dark, powerful, and forbidden. Only the foolish would seek one out for seduction, and yet . . . deals are struck. Souls are ensnared. But must a demon's agenda always be demonic? Can he be redeemed? Or does being bad feel too good to bother with redemption? Long ago, imps were more mischievous and playful--naughty, perhaps?—and perceptions of them have only grown more sinister over the centuries. The incubus craves sex, but what makes us crave him? Explore dark and sensual worlds with eight brand new stories of magic and seduction that will set you aflame by Cori Vidae, Alexa Piper, Erzabet Bishop, Mark Greenmill, Nicole Blackwood, J. C. G. Goelz, Jeffery Armadillo, and M. Arbroath.

Demons, Imps, and Incubi is available in trade paperback and ebook via Amazon.com, Barnesandnoble.com, Kobo.com, and other online retailers, and for wholesale through Ingram. You can also find Demons, Imps, and Incubi on Goodreads.

Laura Harvey is an editor, writer, bibliophile, horsewoman, historian, teacher, debate coach, nerd, DIY junkie, and occasional rescuer of kittens. She holds a BA, MA, and is ABD, making her an exceptional asset in Trivial Pursuit. She loves reading so much that all of her handbags share one crucial ability: fitting a standard paperback or Kindle. She lives in northern California with a menagerie of beasts (dogs, cats, horses, and family members).

Red Moon believes in romance. We believe reading should be fun. We believe that at their core, romances are courtship stories, focused tightly on the emotions of the relationship. We don’t raise an eyebrow at any woman’s reading choices because we believe a woman deserves whatever fiction incites her passions. Whether a sweet fairy-tale ending or a scorching hot love affair, we believe in giving a woman what she wants. Hot romance, it's what we do.


Author name: Mark Greenmill

1.      What place do you think demons play in human story-telling? Why do we continue to tell stories about monsters/creatures with questionable morality?

MG: On one hand, we’re drawn to what we cannot have. There can be something alluring about the darkness, and often we willingly step into dangerous situations—or associate with the wrong kind of people—because we feel the need to experiment, or explore, or taste forbidden fruit.  Demons offer storytellers a method of establishing clear morality at the beginning of the story: our society understands that a demon is bad, and from there, we can either challenge that idea, or use it as a baseline for showing what represents good.

2.      If you met your demon in a dark alley, what are your chances of survival? What’s your best tactic for getting home safely?

MG: Santorava is one tough dude that I wouldn’t want to mess with. Especially if he thought I had something to do with stealing his wife.  My best option would be to run like hell, and hope the moon came out before he caught me.


Author name: Nicole Blackwood

1.      What place do you think demons play in human story-telling? Why do we continue to tell stories about monsters/creatures with questionable morality?

I think that depends on the demon, and the story. Many demons are connected to religions and cultures, and they have their own sets of rules and meanings. Some are meant as warnings, to try and guide people away from paths that will lead to the destruction of self or others. Some are more abstractly symbolic, and that’s where the plot of the story is really more important in terms of learning. There are many other instances where demons are just creatures, like any other animal or sentient being, that fall outside the realm of earthly reality. They can be good, evil, or a more familiar mix of the two, but with weird powers and awesome bodies. Writing something so alien and connecting it to the human experience is a sort of adventure.

2.      If you met your demon in a dark alley, what are your chances of survival? What’s your best tactic for getting home safely?

Oh, I’d be fine. Benji’s not a hard-ass unless he needs to be. As long as I hadn’t pissed off him or Kiki, he’d probably ignore me – after making sure I wasn’t a thrall, or possessed by an Ancient One. And I do try to avoid that sort of thing.


Author name: J. C. G. Goelz

1.      What place do you think demons play in human story-telling? Why do we continue to tell stories about monsters/creatures with questionable morality?
They arose out of our primordial fears. Currently, I think they are useful vehicles that provide a distance from reality that allow the writer to address issues that might otherwise be uncomfortable, or see them from a different light.

2.      If you met your demon in a dark alley, what are your chances of survival? What’s your best tactic for getting home safely?
Iris knew she had to fit into society, so she didn’t go around doing things that would expose her nature. Her mother, on the other hand, would be deadly.


Monday, August 18, 2014

Blood Chimera





“BLOOD CHIMERA” / JENN LYONS

Some ransoms aren’t meant to be paid. Kidnap and Ransom negotiation used 
to be straightforward. The bad guys kidnap someone, and K&R expert 
Jackson Pastor negotiates their release, skillfully traversing a maze of 
bloodthirsty monsters: criminals, terrorists, police, and especially the FBI. 
But that was before he met real bloodthirsty monsters. 

When Jackson Pastor arrives in Los Angeles to help a new client recover his 
kidnapped wife, he finds himself dropped in the middle of a 500-year-old war 
between rival European and Mexican vampire clans, a conflict that threatens 
to escalate into a full-on public gang war. Worse, Jackson hasn’t been brought 
to Los Angeles to be a negotiator. His new boss wants to turn him into an 
assassin. With Jackson about to be caught in the middle of a clan war, his only 
hope of escape may lie with a secret FBI monster-hunting task-force led by a 
very dangerous, eccentric wizard. Which could be a problem, since Jackson’s a 
monster himself.
Blood Chimera is be available in trade paperback and ebook via Amazon.com, Barnesandnoble.com, 
Kobo.com, WorldWeaverPress.com, and other online retailers, and for wholesale through Ingram. You 
can also find Blood Chimera on Goodreads.

About the author:

Jenn Lyons lives in Atlanta, Georgia, with her husband, three cats and a lot of 
opinions on anything from Sumerian creation myths to the correct way to make a 
martini. At various points in her life, she has wanted to be an archaeologist, 
anthropologist, architect, diamond cutter, fashion illustrator, graphic designer, or 
Batman. Turning from such obvious trades, she is now a video game producer by 
day, and spends her evenings writing science fiction and fantasy. When not 
writing, she can be found debating the Oxford comma and Joss Whedon’s oeuvre 
at various local coffee shops. 

World Weaver Press is an independently owned publisher of fantasy, paranormal, and science fiction. 
We believe in great storytelling.
Publication Date: August 12 • Paranormal Mystery
$14.95 trade paperback, 360 pages • $6.99 ebook
ISBN: 978-0692249185
Publicity/Reviews: publicity@worldweaverpress.com
Information:
www.worldweaverpress.com/blood-chimera.htmlWORLD WEAVER PRESS
Blood Chimera / 2
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Guest post:

One of the many inspirations for Blood Chimera came from the fall of the Berlin Wall.
I know, I know. A long time ago, but I’m not young in body anymore, so bear with me.
One of the things that happened with the domino chain fall of communism, specifically with the overthrow of Romanian tyrant Nicolae Ceaușescu, was greater access to Romanian myth and folklore. A lot of these stories had been actively suppressed under communism, so they were rarely discussed. With open borders, there was an explosion of such tales.

That’s how I was first exposed to stories about the strigoi.
At first blush, a strigoi just comes off as a different name for vampire, and indeed, in many versions, that’s really all they are. Some versions of the Romanian strigoi didn’t conform to the classic stereotypes, however, which I found fascinating. In specific, strigoi are often born that way, the result of being born redheaded, or with a caul, or a seventh son, or witchcraft (if the father was a warlock, or the mother a witch, or they made their own pacts with the Devil,) or, the one that really got my attention, the child born to a union between a woman and her dead husband. In some parts of Romania, you see, it was the custom for a widow to never be allowed to remarry, which was more than a little embarrassing if, several years after her husband’s death, she then became pregnant.

Woops.

But such widows had an out, which was to claim that her husband was in fact the child’s father. If her husband was strigoi, well…who could blame the woman for honoring her marriage vows? 

Of course, I imagine the deal was a little less welcome for the baby. Such a child would be seen as something almost as bad as a bastard, because even if they were perfectly normal, everyone knew their inevitable fate: when the child eventually died, they would become strigoi too, inheriting their father’s thirst for blood. Perhaps they would even pass their strigoi inheritance on to their own children.

I loved this idea. Someone could go their whole life thinking they were completely normal only to discover that they were anything but that. I didn’t use all the strigoi stories, but I can hardly deny that the tales were a huge influence as I developed the marans.

Even more fun, of course, if the child had no idea…